![]() After a time he is replaced by another guard. Wondering if the difference between pirates and thieves is a matter of boats and hats. The careful psychological design forgotten, distilled into habit and convenience.) (The pirate realizes this but withholds comment.) The guard sits in a chair by the door and reads crime serials on faded paper, wishing he were an idealized, fictional version of himself. No one remembers that now on the key side of the bars. Freedom kept in sight but out of reach, left as a reminder to the prisoner. (Close enough to see from behind the bars. Someone said to throw away the key, but the key rests on a tarnished ring on a hook that hangs on the wall nearby. (The pirate is a metaphor but also still a person.) (The basement could rightly be considered a dungeon.) The pirate was placed here for numerous acts of a piratey nature considered criminal enough for punishment by those non-pirates who decide such things. LCrecord available at Ebook ISBN 9780385541220 v5.4 ep Contents Cover Also by Erin Morgenstern Title Page Copyright Book I: Sweet Sorrows Book II: Fortunes and Fables Book III: The Ballad of Simon and Eleanor Book IV: Written in the Stars Book V: The Owl King Book VI: The Secret Diary of Katrina Hawkins Afterward: Something New and Something Next Acknowledgments C la s s i fi c at i o n : L C C P S 3 6 1 3. ![]() Title: The starless sea / a novel by Erin Morgenstern. Cover and endpaper art by Dan Funderburgh Début Art Cover design by John Fontana LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Morgenstern, Erin, author. DOUBLEDAYand the portrayal of an anchor with a dolphin are registered trademarks of Penguin Random House LLC. Published in the United States by Doubleday, a division of Penguin Random House LLC, New York, and distributed in Canada by Penguin Random House Canada Limited, Toronto. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously.
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